The article discusses Pastor Sunil Stephens' poem 'The Journey of the Magi, Asia’s Search for Christ,' which reflects on the spiritual journey of the Magi and its significance to modern spirituality and gift-giving traditions. Stephens, a professor at Alliance Graduate School and a long-term Indian resident in Manila, explores the interrelation of Christianity with Asian history, religions, and theology through his poem. The poem has been read by a fellowship of Southeast Asian students and members of Church Café, with Stephens explaining its content. The article also touches on the historical context of the Magi and compares Stephens' work with T.S. Eliot's poem of the same name, highlighting the differences in their portrayal of faith and incarnation. Barbara Mae Dacanay, the author of the article, provides insights into Stephens' fascination with the connection between Asian spirituality and Christianity.

The article discusses the 'Bernardian Synthesis No. 1' exhibition at the National Gallery Singapore. It delves into the significance of the exhibition, the featured artworks, and the impact it aims to have on visitors. The author may describe the curatorial approach, the themes explored in the exhibition, and how it fits within the broader context of Singapore's art scene. Insights from artists, curators, or visitors could be included to provide a comprehensive overview of the experience. The article likely emphasizes the cultural importance of the exhibition and its role in promoting understanding and appreciation of the arts in Singapore.

This document is a resume of Rodolfo S. Samonte, an artist born in Manila, Philippines, and residing in Burbank, California since 1979. It outlines his educational background in fine arts and photo techniques, his solo exhibitions from 1969 to 2018 in various galleries around the world, and his participation in group exhibitions. The resume also lists the awards and honors he has received, including multiple prizes from the Art Association of the Philippines and representation in international biennials. Additionally, it mentions the collections that hold his work, including several museums and cultural institutions in the Philippines and abroad.

The article discusses the work of Virginia-based stoneware artist Hadrian Mendoza, who is currently featured in three separate exhibitions across the Philippines. In Cebu, at the 856 G Gallery, Mendoza's work is influenced by pre-historic images such as the Bulol and Maitum jars. In Pasay City, at the Galleria Duemila, his exhibit 'A Drop of Red' addresses the theme of extrajudicial killings in the Philippines with a series of pensive and poetic pieces. Lastly, in Baguio City at the BenCab Museum, Mendoza collaborates with his mentor Jon Lorenzo Pettyjohn in an exhibit titled 'To Another Dimension,' showcasing their mutual influence and mastery in stoneware pottery. The article highlights Mendoza's exploration of indigenous Filipino culture, his commentary on contemporary issues through protest art, and his professional growth alongside his mentor.

Jolico Cuadra, a renowned Filipino poet and art critic, passed away at the age of 74 due to pneumonia. He was admitted to Pamana Medical Center in Halang, Calamba. Cuadra, who had been suffering from Parkinson's disease since 2009, recently experienced a stroke that left him bedridden. Known for his romantic persona and striking presence, Cuadra was a celebrated figure in the 60s, often compared to Lord Byron. He studied at prestigious institutions in the Philippines and art schools in Barcelona and Paris. Cuadra's literary achievements include winning the Carlos Palanca Memorial Award, the South East Asia Write award, and receiving an honorable mention from the Cultural Center. His work, particularly the poem 'Dogstar,' is a significant contribution to Philippine contemporary poetry.